Produced by: Soul’d Out Productions
Date: Friday, July 31, 2026
Box Office opens: 5:30pm
Doors open: 7pm
Show starts: 8pm
Event: All Ages, GA Floor (standing room only), 21+ Reserved Seating Lower Balcony, 21+ GA Seating in Upper Balcony
Tickets: On sale starting Friday, April 3 at 10am
• GA tickets: $39 in advance, $44.50 day of show
• Reserved Seating tickets: $51.75 in advance, $57 day of show
• Unless sold out, tickets will also be available at the box office on the day of the show when it opens.
• Tickets prices shown include service fees.
To say that Thee Sinseers play oldies would be a misnomer. Fronted by bandleader and son of East Los Angeles Joey Quiñones, the group has quietly chipped away at the sounds of R&B and soul since forming in 2019. Quiñones and his crew have continuously created a distinctive vibe that explores all aspects of a timeless genre, bringing together their interpretation of music through an unmistakable modern lens.
Catching up with Thee Sinseers ahead of their new Colemine Records release, ‘Love Stories’, one thing becomes abundantly clear: this is not an LP that explores a neat and tidy love story. It isn’t interested in the happy ending. It’s interested in everything that comes before it, after it, and in spite of it.
On this LP, the band leaned into earthier instrumentation — standup bass, guitars run through amplifiers for a warmer sixties-adjacent tone — pulling inspiration from wherever it presented itself, even the most unlikely of places. It’s that cross-genre thinking that Quiñones sees as the record’s defining quality. “It didn’t feel like we were making soul music at any point,” he says. “It felt like we were making our music.”
The band sought to capture something more honest than a highlight reel — showcasing the highs and lows of romantic relationships while expanding the frame to include the familial, the complicated, and the unresolved. The band’s parents appear in the album art, their own love stories folded into the record’s visual identity, some of those stories still standing, others not. As Manjarrez puts it: “Every single song title directs you down a different road of love — whether you win or lose.” Quiñones wanted listeners to sit with that ambiguity. “Love is never-ending,” he says. “It stretches beyond lifetimes. I want people to still be confused — I want it to be left like an open book.”
Yet one thing remains constant throughout: Thee Sinseers’ commitment to where they come from. That East LA identity doesn’t announce itself — it simply exists, woven into the fabric of the music without being worn as a badge. There’s no performance of heartbreak here, just the real thing.
Like an unsent love letter finally delivered, ‘Love Stories’ carries the weight of everything that was felt but never quite said. The universality of that feeling is perhaps best captured in Quiñones’ own words: “It’s never too late to change. It’s never too late to tell a person you love that you love them.”
Emerging from Southeast Los Angeles, The Altons have become a fixture in the burgeoning West Coast souldies scene. Helping launch the Daptone Records imprint Penrose as one of the five premier groups on the label, The Altons blossomed from selling out local nightclubs to performing on the grand stages of Austin City Limits and the Corona Capital festival in Mexico–selling thousands of 45s in the process.
The heart of The Altons’ alluring sound is the distinctive and oft romantic vocal harmony of Adriana Flores and Bryan Ponce. Their voices intertwine effortlessly, bringing a level of intimacy and sincerity to the music that groups can seldom achieve. Ponce’s virtuosic guitar playing is anchored by the formidable rhythm section of Caitlin Moss on drums and Chris “Bolillo” Manjarrez on bass, creating a captivatingly organic synergy . Together, the evolution of their sound can best be heard via the soulful, sing-along hit singles: “Over and Over” [borrowed as the viral song “Otra Vez” by ProdMarvin, which took over TikTok and Instagram in 2023,] and “When You Go (That’s When You’ll Know)” [sampled by Mary J. Blige on her Grammy-nominated album Good Morning Gorgeous.]
Their forthcoming debut album on Daptone Records, Heartache in Room 14, marks a significant evolution in their journey, as they collaborate with renowned Daptone Records producer Bosco Mann. “This whole album was a new experience for us, from the way we approach songwriting to how we recorded the music,” explains Ponce. Flores adds, “Working at Penrose with Gabe was a turning point for us. Our songwriting process was broken down and rebuilt focusing on lyrics, melody and arrangement. We started to create songs that felt vulnerable lyrically and contagious melodically. We welcomed the change and were like sponges in the new environment taking it all in.”
The opening track “Waiting” is a testament to that vulnerability. Ponce and Flores’s tender vocals tell a story of longing, love and the patience that goes with it. Backed by a haunting organ and creeping rhythm, the song is a head nod to the classic soul sounds that inspired them–albeit delivered with hallucinatory aplomb. Sung in spanish they deliver “Del cielo te cuido,” a heartfelt homage to the boleros of their abuela’s living room and “Perdóname,” a mid tempo groover whose guitar driven instrumentation and heartbreaking lyrics create a moody juxtaposition that is uniquely theirs. “Your Light” , a dreamy, earnest declaration of love that further showcases the undeniably charming chemistry of Ponce and Flores. With the verses sung in heavenly unison the pleading call and response chorus brings another layer of depth and emotion to the track.
Scheduled for release in the first quarter of 2025, and with extensive worldwide touring in the works, the highly anticipated Heartache in Room 14 is poised to take The Altons distinctive brand of soul music to lofty new heights.
